DON'T CALL IT A COMEBACK (even though it kind of is)

There have been a ton of challenges in my life lately, ranging from my car being stolen, pipes bursting in my house, shifting of funding negatively affecting my students, my research changing and rearranging itself, and so on. I am doing my best to stay focused and stay productive, but it has become increasingly harder to do either things as of late.

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Neil Daigle Orians
Invading the Archives

…as artists, we are always tackling the things that are haunting us. History repeats, reminding us of the lessons we seemingly refuse to take to heart. The ghosts of the past return to our present and transcend time to haunt our futures. Archives are full of power and potential. Despite being housed in sacred institutions of knowledge, their contents often remain a mystery.

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Neil Daigle Orians
thoughts on materiality

I’ve always had a fascination with materiality — grad school pushed me into really considering the materials as important as the ideas behind them. From there, it eventually evolved into a desperate need for the process, materials, and concept to line up in some way. This has led to a bit of an unfortunate situation where processes I once loved, like intaglio, have a difficult time fitting in to my current work.

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Socially Anxious Practice

First and foremost, I do not price my own work. I tell the audience to tell me how much they want to pay. I ask for a $1 minimum per object, but other than that, it’s up to them to tell me how much they want to pay. And I always accept their offer – this is not haggling. This is an attempt to force them into feeling as uncomfortable as I do in this circumstance.

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